During
the discussion of orientalism in our 325 tutorial session there was much
discussion about the ABC television show “Fresh Off the Boat”. A series that I
have never seen nor heard of, yet, from the direct implication of the title, I
could slightly gage an idea of the show. After class, I turned to YouTube, quickly
glanced over Rotten Tomatoes, and
searched Google for a synopsis. Immediately, the phrase “In Search for the
American Dream” appeared quite frequently when diving through summary after
summary. A phrase that stood out to me, seeing as every summary describes this
Taiwanese-American family in total disarray when their expectations of “Florida
Life” are sadly not met. I find this show places itself in a difficult
category: somewhere between hilarious yet harshly true commentary on a minority
group coming face to face with the reality of American lifestyle and treatment
or just another racist dram-com meant to captivate its audience through
offensive banter.
ABC, host to shows like “The
Middle”, “Modern Family” and “The Goldbergs” all revolving around the
adventures and escapades of white families, one would think Eddie Huang’s show
would receive minimal support seeing that a higher percentage of ABC’s audience
is white and the previous success rate of shows revolving around minority
groups are not so successful, Huang even mentions in the New York Time’s article, “A Bloom in TV’s Asian-American
Desert”. However, Asian-American
actor Ken Jeong, strongly believes this new show holds a beneficial spot in the
nightly TV lineup. “I think ABC has done an amazing job in championing
diversity in programming…What ABC has done is groundbreaking. None of the other
networks have one Asian-American family sitcom, and ABC has two. They’re
putting their money where their mouth is when they say they want to reflect
diversity in America,” Jeong tells The
Huffington Post. Reverting back to what was previously stated, in a world
where shows like “Modern Family” and “Big Bang Theory” (once again, dominated
by white actors and a white audience) dominate the TV scene, the fact that
“Fresh Off the Boat” is on to its second season with consistent even gradually
growing ratings, means something. Whether that “something” leaves a rather
large, ambiguous question mark on which category this TV series places itself
under, one can only hope but agree the theme of deciphering the complexity of
identity through comedy is a positive one.
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