Wednesday, 13 April 2016

Too Fresh or Too Soon?

During the discussion of orientalism in our 325 tutorial session there was much discussion about the ABC television show “Fresh Off the Boat”. A series that I have never seen nor heard of, yet, from the direct implication of the title, I could slightly gage an idea of the show. After class, I turned to YouTube, quickly glanced over Rotten Tomatoes, and searched Google for a synopsis. Immediately, the phrase “In Search for the American Dream” appeared quite frequently when diving through summary after summary. A phrase that stood out to me, seeing as every summary describes this Taiwanese-American family in total disarray when their expectations of “Florida Life” are sadly not met. I find this show places itself in a difficult category: somewhere between hilarious yet harshly true commentary on a minority group coming face to face with the reality of American lifestyle and treatment or just another racist dram-com meant to captivate its audience through offensive banter.

            ABC, host to shows like “The Middle”, “Modern Family” and “The Goldbergs” all revolving around the adventures and escapades of white families, one would think Eddie Huang’s show would receive minimal support seeing that a higher percentage of ABC’s audience is white and the previous success rate of shows revolving around minority groups are not so successful, Huang even mentions in the New York Time’s article, “A Bloom in TV’s Asian-American Desert”. However, Asian-American actor Ken Jeong, strongly believes this new show holds a beneficial spot in the nightly TV lineup. “I think ABC has done an amazing job in championing diversity in programming…What ABC has done is groundbreaking. None of the other networks have one Asian-American family sitcom, and ABC has two. They’re putting their money where their mouth is when they say they want to reflect diversity in America,” Jeong tells The Huffington Post. Reverting back to what was previously stated, in a world where shows like “Modern Family” and “Big Bang Theory” (once again, dominated by white actors and a white audience) dominate the TV scene, the fact that “Fresh Off the Boat” is on to its second season with consistent even gradually growing ratings, means something. Whether that “something” leaves a rather large, ambiguous question mark on which category this TV series places itself under, one can only hope but agree the theme of deciphering the complexity of identity through comedy is a positive one.  

Really Bachelor? Really?

Every girl wants her fairytale ending and the Bachelor’s creators hit the jackpot through creating a reality TV show that gave Americans just that—or so they thought. After seeing years of success the Bachelor and subsequent spin off, the bachelorette, has faced major criticism. Not only is it quite obvious that the show perpetuates a sexist ideology in regards to the roles of woman in relationships it also is guilty for it’s huge lack of minority representation in the show. In the beginning of the shows history (2009) there was only one minority woman as a contestant on the show out of the 25. This trend continued until after the show faced a class action lawsuit from two black women, claiming that the show is blatantly racist in its failure to have diversity among contestants. A judge dismissed the case, but there is reason to believe that this lawsuit made producers realize their own racist tendencies towards picking white contestants.
It seems as though the producers have four pre-requisites: Blonde, skinny, white, and dumb. Every once and a while there is a minority thrown into the mix almost as if the producers are under the illusion that they can wipe their brow knowing that there are ONLY 24 white girls. In the defense of the show, contestants are picked based on their compatibility for love to the bachelor/bachelorette, so following that reasoning race shouldn’t be a factor, however after the civil suit filed in 2012 minority representation went up 6 fold! You can’t tell me that magically more minority men and women decided that they wanted to try their luck at love on this reality TV show in 2013, than in years prior. Theories behind this mind-boggling lack of diversity include trying to appease a very religious and wholesome based image in the eyes of the average American viewer. From the beginning of the 1900s Americans have always valued the racially homogenous family that lives in the big house on the corner of the block with a white picket fence and the greenest grass. This image is still seen by a majority of Americans as the “ideal”, thus causing casting directors of the show wanting to find the perfect American sweetheart, but minorities don’t fit this image.    
       

Sadly, this trend doesn’t seem to end in just the United States. Following behind the popularity of the show New Zealand producers decided to try their luck at finding Kiwis eternal love. While, I can’t speak about the first season, from what I’ve watched of season 2 there is still a huge discrepancy in the race of the contestants. On top of the fact that there isn’t many Maori or other minority women, the bachelor gives significantly more attention to women who are white. This season the single Maori woman, despite being extremely intelligent and beautiful, left the show after only a few episodes through her own decision. It makes me ponder WHY she made the decision to leave, and while there could be an infinite number of scenarios it would be ignorant to neglect the fact that she was the only minority woman and was severely outnumbered by white woman. This fact had to have had some affect on her emotionally and her ability to feel comfortable enough to open up on national television. 

Ingrained prejudices: Am I Racist?!


A few weeks ago I went in to the hospital and I go sometimes because I get really sick and just need to be taken to the emergency room for pain relief. When I’m there I see multiple doctors and nurses as I’m usually there overnight or all day and, because it’s a public hospital, the doctors or nurses come by whenever they can and check on me, prescribe me with something new and try everything they can to make me feel better. When a doctor comes in they usually do a test which is the typical stethoscope, light in the eyes, and trying to assess bodily reactions and so forth; all pretty straight forward.

 It seemed that day that there were two doctors on call, both male, but, one was white and one wasn’t. Throughout my stay at the hospital I would drift off to sleep and different nurses would wake me up to give me medicine periodically, similarly, every so often one of these two doctors would come and have a chat with me about what the next step should be for medication and how to make me feel better so that I could go home.

Now I don’t want it to sound bad, and I picked up on it while it was happening and was really kicking myself for it, but I just knew that when the white doctor gave me different options I seemed to trust his opinion over the other doctor.  It was strange, because they would come in at different times and I would be in a half sleep state but I just felt more comfortable agreeing with everything the white doctor offered me, whereas, the other doctor I listened more intently to and thought I needed to decide for myself if what was being offered was really right for me. (Since I wasn’t in any serious condition both doctors did offer similar remedies).

Did his white skin give him better qualifications? Apparently. 

 I started to think why this was? Am I inherently racist? Is this a trait that is ingrained in me? To trust the fact of a white man rather than someone of colour? As I myself am not white, is it because of that? That I was raised to believe that white people just know better? Or was it a more structural thing? Both these men had the same qualification, they were both working in the same hospital, and they looked similar aged, so why did they colour of their skin matter to me?

This tends to happen in many situations where I think people don’t even notice, such as where you choose to sit on the bus, or who you line up behind in the cinema. Small acts that come from these ingrained prejudices that have been consistently reinforced in society and the media, it is all from we’ve been exposed to throughout our lives. The Eurocentric world in which I live in, it is on a structural level and an institutional level and an individual level. Of course that’s no excuse, but I am aware of my initial reactions and can actively work on so that I don’t think this way.

Tuesday, 12 April 2016

Racism in Star Trek


Racism in Star Trek

Television series that run in seasons and screen monthly or weekly are able to have more fleshed out narratives, are able to explore more themes and have more intricate character development. This is true in comparison to Hollywood films. The nature of the televised series allows for more development of these elements. Look at Walter White, Skyler and Jessie Pinkman’s development through the Breaking Bad series over the span of 5 seasons and one can understand the time producers and directors have over their characters and narrative development.
The longer durations are not only the only kind of difference that TV series have in relation to Hollywood films. Think of the viewing context – one might see a Hollywood film, sit down for a maximum of 2.5 hours, and then leave. The film might be at the front of their minds and emotions, but after a few weeks it might settle. The film might become what one was – a memory. The television series contrasts this. Weekly scheduled screenings makes the narrative and the event of watching a part of the viewers life. The consistent screenings and the settling of watching at home allows for an immediacy and intimacy that Hollywood blockbusters do not.
So what’s the point of all this. Here is another idea. Think of the science-fiction genre. Science fiction is about the future, but it is always related to how the world is here and now. When discussing what could be the referent to the “could be” state of affairs is always the world we live in. Think of Battlestar Galactica. The c of Caprica gets invaded by Cylons. Caprica was ill prepared and the space warships struggle to retaliate before Caprica succumbs to the invasion. The release of this pilot episode was shortly after the tragic events on the 9/11 terror attacks. Viewers naturally saw the allegory. Science-fiction can address the real world issues through allegory, without explicitly referencing actual real world issues. So science-fiction can be seen as a critique and a way of understanding the world as we live in it.
The point I would like to address here in that the viewing of science-fiction television series are not just spectacles, or objects of entertainment. Especially science-fiction. If science fiction has the ability to show that our world could be otherwise then we hope it does a damn good job, especially if we are watching them weekly, in our own living rooms, for months on end, sometimes at set times – part of our lives, which may be organised around the schedules broadcast screening times.
How might Star Trek handle racism and race relations? Back with the first broadcasted season on Star Trek in the early 60’s it would have, at the time, seemed progressive, futuristic and utopian to have the ship of the Starship Enterprise, or the bridge to be filled with a large handful of races, genders and nationalities.
Producers might have been smiling and giving handshakes amongst themselves for having a black woman answering the telephone and the communication systems of the Enterprise. However when we take the Enterprise away from the picture, we have what I think is a lot of racism.
I believe that the non-human races of star trek can be seen as racial stereotypes for human races. The Klingons are barbarian, warlike and not intelligent. This is EVERY single Klingon. Vulcans are ALL logical, smalrt, emotionless and intelligent. All Cardassians are militaristic. ALL Bajorans are religious and dogmatic.
Every planet in Star Trek that has its own species of Alien life makes an important point about racism in the United States of America. All the alien life has one type of trait and belief. All the races are the same. They are uniform. This is implausible. We seem to be seeing these species from the US Eurocentric vision. All the species are in conflict, and despite forming alliances when they inevitably break down they go back to their own stereotypes and uniformity of the same traits.
Maybe lack of funding, close inspection of Star Trek allowed and facilitated this reading. But there are nudges here. The enterprise going and fixing a an Alien, run by a white man, and seeing the race with one trait. Definitely some allegories with human history here. What are our thoughts on this?

Spot the Difference


Not Racist: "Oh you look like you're wearing a hijab with your scarf like that!"
Racist: "HA! You look like a terrorist with your scarf like that!"


The racist version of this was said to me the other day and then followed by a long string of "terrorist jokes" which made me extremely uncomfortable.

I'm happy that I'm in a place mentally where I don't immediately associate muslim culture with terrorism but when I remember that other people still do it really makes me feel like no progress has been made in a long time.

Just a thought. 

Saturday, 9 April 2016

Formation of the Irish Race



You read that right. The Irish race.

“But I thought their race was White, and Irish is just one ethnicity inside it.”

I thought so too. Nowadays that’s the way we see it. But this hasn’t always been the case.

Across the Anglosphere, it was common to refer to the Irish as a fundamentally separate class of human. Not very positively, I might add.

“The Irish problem is a problem of the Irish race, and is neither a byproduct of politics nor of environment, but is rooted in the racial characteristics of the people themselves.”
   Captain Hugh Pollard, British intelligence officer (quoted in Nelson 30)

“It cannot be too strongly impressed upon the minds of Englishmen that the Irish are not a mere variety of their own race, that they have had no share in the civilisation and progress of our nation…”
   Arthur Maning Topp, writer for the Melbourne Review (19)

“the source of all evil [there] lies in the race, the Celtic race of Ireland. … The race must be forced from the soil; by fair, means if possible; still they must leave.”
   Robert Knox, Scottish anatomy lecturer (quoted in Nelson 33)

Many of you will be familiar with the classic example of scientific racism below, attempting to “prove” that Blacks were physically closer to apes and thus inferior to Whites.

 


You may be surprised to know that this approach was also taken with the Irish.


The caption reads “The Iberians are believed to have been originally an African race, who thousands of years ago spread themselves through Spain over Western Europe. Their remains are found in the barrows, or burying places, in sundry parts of these countries. The skulls are of low prognathous type. They came to Ireland and mixed with the natives of the South and West, who themselves are supposed to have been of low type and descendants of savages of the Stone Age, who, in consequence of isolation from the rest of the world, had never been out-competed in the healthy struggle of life, and thus made way, according to the laws of nature, for superior races.”

Note the idea that the Irish were really from Africa, which tries to directly connect them to the “inferior” Blacks. This was an attempt to “prove” that they weren’t really White (or human) and that their negative traits were naturally innate, a prime example of biological essentialism.

These ideas resonated with the public, forming dehumanising “common sense” stereotypes in which Irish were portrayed as apelike and with the negative traits also ascribed to Blacks – poor, unintelligent, lazy, violent, irrational and childlike. The example below, published in the mainstream American magazine Puck, presents a dull-eyed simian Irish caricature. The title, “The King of A-Shantee”, references the well-known R&B singer African tribe Ashanti and the “shanty”, again suggesting that Irish have something to do with Africans and they’re all really poor. The words “celebrity” and “king” make the tone derisive and mocking, and this jab is the entire punchline.



These stereotypes were perpetuated in cartoons, songs, humour, political discourse and “Stage Irish” (essentially the Irish equivalent of Blackface).

Why were Irish seen as a “Race”?


By modern standards this is bizarre. But looking at the context of the late 19th Century, we can understand where these ideas came from. Economic recession and the potato famine caused many Irish to emigrate to other English-speaking countries in unprecedented numbers. They became the target of anti-immigration attitudes in society, which formed the Irish racial category for political purposes, i.e. protection of the pre-existing hegemony.

The negative traits of the Irish stereotypes were invoked to stoke fear of this “alien race”. It was argued that they could not be allowed to immigrate because their passionate, violent nature would subvert social order. The cartoon below (entitled “The mortar of assimilation – and the one element that won’t mix”) suggests that the USA has been successful in integrating many ethnic groups but to extend this to the Irish would be a mistake.


On the economic front, they were seen as taking jobs from so-called “Native” (i.e. White American) labourers. Many job advertisements included the phrase “No Irish Need Apply” to explicitly exclude them. This fits Omi & Winant’s definition of the racial project, “simultaneously an interpretation, representation, or explanation of racial dynamics, and an effort to reorganise and redistribute resources along particular racial lines” (56).

Anti-immigration forces also latched onto the fact that many Irish were Catholics. There was a popular yet unfounded fear that if the Irish were let into the country, they would use their hive-mind powers to secretly subvert institutions to convert them to Catholicism. Topp insisted that they were “…invariably with the enemies of the empire, and that they are ever hoping for and secretly aiming at its subversion, and destruction” (19), and “have used their voting strength, at the dictation of their priestly leaders, to render any stable and lasting government impossible” (25).

As the Irish community assimilated into American society, these attitudes slowly faded out, but it took a long time. In the 1960s, many conservatives refused to vote for John F. Kennedy because he was an Irish Catholic; they believed that he must therefore be part of some sort of secret plot to help the Pope take over America (Donaldson 107). Even today there still many who think it is okay to perpetuate jokes about how stupid Irishmen are.

The moral of the story is that race is only a socio-political tool used to serve a hegemonic agenda for a particular time and place. The example of the Irish “Race” is no more absurd than any of the racial formations our contemporary society has. There are interesting parallels with today’s discourse, like the idea that a Mexican "race" naturally commit crimes and steal American jobs, or that a Muslim "race" is secretly infiltrating the government to establish Shariah law. The sooner that society sees these racialised ideas as farcical and outdated as the Irish “Race”, the better.
  
Works cited
Donaldson, Gary. The First Modern Campaign: Kennedy, Nixon, and the Election of 1960. Lanham, MD, USA: Rowman & Littlefield, 2007. Print.
Nelson, Bruce. Irish Nationalists and the Making the Irish Race. Princeton, New Jersey, USA: Princeton University Press, 2012. Print.
Omi, Michael and Howard Winant. Racial Formation in the United States. 2nd. London, UK: Routledge, 1994. Print.
Topp, A. M. “English Institutions and the Irish Race.” Melbourne Review January 1881: 10-30. Web. National Library of Australia.